Canalblog
Editer l'article Suivre ce blog Administration + Créer mon blog
Publicité
paintingsframe
30 décembre 2013

leroy neiman bar painting

His works leroy neiman bar painting from the color relations to express feelings, life represents a simple real life breath.Nanniwan production during the Anti-Japanese War "nanniwan" shows the atmosphere of the natural environment and human's spirit, from the combination of composition, plot to tonal processing all around this goal.Landscape painting during this period also have a close relationship with this.He gradually sublimation of landscape sketch from studying the color relations to express his feelings for life, a kind of emotional expression.

leroy neiman bar painting

 

leroy neiman bar painting from www.artoilpaintingforsale.com

In the '60 s, his works embody his personal culture in China, in the pen of the sketch shows Chinese traditional xieyi painting brushwork, make life emotional experience to express more freedom, pen can meet Chinese freehand brushwork in traditional Chinese landscape is bold and unrestrained artistic conception of the ink.Such as northern shaanxi loess plateau and changbai mountain Lin hai, sketches of the songliao plain.

The 70 s and 80 s of leroy neiman paintings, when he settled in the loess plateau in the sketch, pen free reached a high level of freedom and abstraction, this period to form the unique and important in his landscape painting art characteristics.As huang in landscape, brushwork created the aesthetic feeling of art form, it has transcended the object and the scene itself, has its unique abstract aesthetic value and the spirit of freehand brushwork in traditional Chinese painting in China.Sublimation will object in the form of a sketch rendering for performance object, express rich life atmosphere and eventually reach the state of high expression of human emotion."XuanJun big snow mountain", "phoenix hill", "yan thaw", "yanan last snow" and so on gives a person is particularly impressive, these works are quite freehand brushwork in traditional Chinese painting, the shape is not very specific, big feeling is specific, flexible and vivid strokes, already detachment and beyond the borders of the situation of the sense of reality, reached a ChouXiangMei itself.

Publicité
Publicité
Commentaires
paintingsframe
Publicité
Archives
Publicité